> Sound Devices PIX 260i
Sound Devices PIX 260i (PIX260i, PIX-260i) Portable Video Recorder with Timecode, HDMI and HD-SDI Connectors - records using Apple ProRes and Avid DNxHD
€4,654.14 + VAT
$6,015.13 No VAT
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Sound Devices PIX 260i (PIX260i, PIX-260i) Portable Video Recorder with Timecode, HDMI and HD-SDI Connectors - records using Apple ProRes and Avid DNxHD
The rack-mounted PIX 260i is a file-based video recorder/player that seamlessly replaces tape-based video decks in production and post-production environments.
Using Apple ProRes or Avid DNxHD codecs, the PIX 260i records and plays files up to 220 Mbps in high-quality 10-bit 4:2:2 video. It also records 32 tracks of 48 kHz audio. Files from the PIX 260i are ready for direct import into Avid and Final Cut editing platforms, eliminating time-consuming transferring and transcoding. Files can also play out of the PIX 260i for real-time applications.
- External RS-422 control.
- 8 channels of AES digital audio I/O.
- Time code, genlock master generator.
- Convenient 1/2-rack, 2U chassis dimension.
- Up to 32 track audio recording over Ethernet.
- Powered by 10-27 VDC, 4-pin XLR, 30 watts.
- Front panel drive access behind video display.
- Playback from FCP 7, FCP X, and Avid sessions.
- 8 balanced, line-level analog inputs and outputs.
- 5-inch IPS display, glossy finish, 800x480 pixels.
- Built in hardware scaling and frame rate conversion.
- Based on the successful PIX 240 Production Recorder.
- Up to 32 channel audio interconnection using Audinate Dante.
- Simultaneous recording to up to four eSATA-connected drives.
- Can record and play up to 16 channels of embedded SDI audio.
- Can embed and de-embed audio from analog, AES digital, and Dante.
- Embedded web server for machine transport over ethernet-based networks.
- File-based recording using Apple ProRes or Avid DNxHD encoded files, up to 220 Mb/s.
| SDI Input & Output | SMPTE 12M-1, 12M-2, 125M, 259M, 272M, 291M, 292, 296M, 299, 352M |
| HDMI I/O | Version 1.4a input, Version 1.3a output, HDCP enabled on input |
| Video Input Resolutions / Rates | 1080p23.976/24/25/29.97/30, 1080i50/59.94/60, 1080PsF23.976/24/25/29.97/30, 720p23.976/24/25/29.97/30/50/59.94/60, 576i50 (PAL), 480i59.94 (NTSC) |
| Video Codecs and Files | Apple ProRes 36, 100, 145, 220 Mb/s, 8- and 10- bit |
| Avid DNxHD 36, 100, 145, 220 Mb/s, 8- and 10-bit | |
| Quicktime wrapper (.MOV), UDF File System | |
| Up/Down/Cross Conversion | 480i, 576i, 720p, 1080i, 1080p to any 480i, 576i, 720p, 1080i, 1080p |
| Frame Rate Conversion | 24, 25, 30, 50, 60 to 24, 25, 30, 50,60, 23.976, 29.97, 59.94 to 23.976, 29.97, 59.94, automatic 3:2 pull-down removal in 23.976 and 24 frame modes, other pull-down cadences include 2:2:2:4, 2:3:3:2, 3:2:3:2:2, and 2:2 |
| IPS Display | 5-inch IPS display, glossy finish, 800x480 pixels |
| Audio Recording | 32 channels record/playback, simultaneous with video |
| Simultaneous Dante, Analog, HDMI or SDI, AES/EBU, selectable per channel | |
| Analog Audio | 8 Balanced, line-level inputs on DB-25. |
| Ch1,2 also on XLR | |
| 8 Balanced, line-level outputs on DB-25. | |
| Ch1,2 also on XLR | |
| Frequency Response: 10 Hz-20 kHz, +/- 0.5 dB re 1 kHz; | |
| THD + Noise: 0.004% max (1 kHz, 22 Hz-22 kHz) | |
| Input and Output Topology: fully electronically balanced, line-level, RF, ESD, short, and overload protected; pin-2 hot, pin-3 cold | |
| Line Output Clipping Level: +18dBu | |
| Output Attenuation 0-20 dB, 1 dB increments | |
| Front-panel headphone, 1/4" with gain control | |
| Digital Audio | Sampling Rate / Bit Depth: 48 kHz, 24-bit |
| AES/EBU: 8 channels in and out via DB-25, 110 ohm, 2 V p-p. | |
| Accepts 32k, 44.1k, 48k, 96k, 192k sample rates with SRC at input. | |
| HDMI: 8 channels embedded HDMI input, 8 channels embedded HDMI output | |
| Accepts 32k, 44.1k, 48k, 96k, 192k sample rates. | |
| SDI: 16 channels embedded SDI input, 16 channels embedded SDI output, 48k sample rate | |
| Dante - 32 channels, 48kHz input and output | |
| File Storage | XL-CADDY mounted drives: two, front-mounted Sound Devices approved 2.5-inch drives |
| eSATAp-connected drives: two, rear panel eSATAp ports for drives meeting Sound Devices specifications, supplies 5V @ 2A | |
| Timecode | Modes Supported: Freerun, Record run, External |
| Frame Rates: 23.976, 24, 25, 29.97DF, 29.97ND, 30DF, 30ND | |
| Accuracy: +/- 0.2ppm, holds accurate time code for 2 hours after power is removed | |
| Inputs / Outputs: BNC(LTC input and output), SDI or HDMI (Sony protocol) | |
| Sync Output | Analog bi-, tri-level sync / genlock |
| Wordclock (square wave, 48 kHz sampling rate, 3.3 vp-p, 75 ohm) | |
| Sync Input | Analog bi-, tri-level sync / genlock |
| Wordclock (square wave, 48 kHz sampling rate, 3.3 vp-p, 75 ohm) | |
| Control | RS422 Machine control |
| Ethernet Web-based control of settings and transport | |
| GPIO on 3 pins, Phoenix connector | |
| Keyboard | Front-panel USB host. Keyboards without hubs acceptable. |
| Power | 4-pin XLR (pin1 = ground, pin4 = +), 10-27 VDC, 30 watts |
| Dimensions (WxDxH) | 21.8 cm x 26.2 cm x 8.4 cm |
| Weight | 3.4 kg |
Industry Standard Codecs
Using the Apple ProRes or Avid DNxHD codecs, the PIX 260i records and plays files up to 220 Mbps in high-quality 10-bit 4:2:2 video as well as 32 tracks of 48 kHz audio. Files from the PIX 260i are ready for direct import into Avid and Final Cut editing environments, eliminating time-consuming transferring and transcoding. Files can also play out of the PIX 260i for real time applications.
Video Scalers
PIX recorders offer powerful, hardware-based video scalers. Realtime conversion among video formats, including 1080i, 1080p, and 720p, are set with a simple menu selection. Conversion between interlaced and progressive, as well as frame rate conversion is available in realtime. For instance, some cameras set to record 24ps send 1080i 60 over HDMI or HD-SDI. PIX recorders can be set to convert the 1080i 60 stream back to 24p with no loss in quality.
Up To 32 Tracks Of Audio
The PIX 260i has extensive audio connectivity. With up to 32 track record/playback capability, the PIX 260i accepts eight channels of line-level analog I/O, eight channels of AES digital, 16 channels of embedded SDI, 8 channels of HDMI, and 32 tracks of audio over Ethernet using Audinate's Dante.
IPS Display
Sound Devices PIX 260i features an IPS (In-Plane Switching) display. This new technology yields a brighter, sharper image with improved colour accuracy and excellent off-axis performance.
Extensive Control Capabilities
The PIX 260i is a flexible video playback source that is compatible with Final Cut Pro 7, Final Cut Pro X and Avid sessions.
Web Control
The PIX 260i can be controlled by both external RS-422 and via Ethernet through the embedded Web server, allowing for machine transport control over Ethernet-based networks.
Up To Four SATA Drives
Up to four SATA drives can be connected to the PIX 260i simultaneously. All four drives can be recorded to simultaneously, for RAID-1 type redundancy and to eliminate the need for post-record copying when multiple copies are required.
Ambient Clockit Box
The PIX 260i includes a built-in Ambient Clockit time code generator/reader with genlock output for multi-camera and double-system sound applications. In addition to generating ultra-stable time code, time code can be read from the SDI stream, the HDMI stream, or from an external source.
Hardware Video Scaler
Like the PIX 220i and PIX 240i, the PIX 260i includes a high-performance hardware scaler and frame rate converter. Regardless of the incoming signal, the PIX recorders can record the signal after up, down, or cross-conversion at the same or different frame rate. Hardware-based 3:2 pull-down removal is included as well.
Rack Mountable
PIX 260i's convenient 1/2-rack, 2U chassis dimension allows it to be easily integrated into any existing environment. It is powered by 10--27 VDC through its four-pin XLR connector.
The PIX 260i Rack Mount Kit (Sold Seperate). The kit includes one full 19" 2U rack (holds two PIX 260is), one blank panel and screws.
Solid State
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Photolease LeasingMonths£3983.00 24 £ £ £50 £ Notes
Photolease is an independent finance company who have specialised in leasing equipment to the imaging industry for over twenty five years.
THE ADVANTAGES OF LEASING
- Banking facilities left available for special projects and unforeseen expenses.
- Small initial outlay usually amounting to just one months rental.
- Payment can be spread over a period of one to four years dependent upon value and type of equipment.
- A single payment at the end of the lease guarantees retention of the asset for the remainder of its working life.
- If you want to sell the equipment after the lease has ended you will receive the sale proceeds.
- Rentals are fully tax deductible.
- Cash flow is protected and the asset earns revenue in payment of the lease.
- No need to be VAT registered.
What happens at the end of the lease?
We will extend the agreement indefinitely on payment of a single further monthly rental. After that you can keep the equipment and will never have to pay any more.
Isn't leasing just for companies who can't afford the cash?
No. Companies who lease do so because they know that there are better uses for their spare funds.
Is leasing only relevant for large acquisitions?
No. Transactions of all sizes are completed using lease agreements. You can lease equipment worth as little as £1000.
Do I have to insure the equipment?
Yes. It is your responsibility to keep the equipment insured for all risks for the term of the agreement.
What happens if the equipment becomes faulty?
You have the protection of the manufacturers and/or suppliers warranty. Responsibility for repairs out of warranty are yours.
What about VAT?
Rentals attract VAT. This can be reclaimed if you are VAT registered.
What can be included in the agreement?
Leasing enables the whole solution to be financed. This can include hardware, software, installation, training and warranties
Can the equipment be upgraded?
Yes. The equipment can be upgraded during the course of the agreement. Speak to us for further details.
Is it possible to settle the agreement early?
Yes. However we always recommend you speak to your accountant to make sure it does not create an adverse tax position.
Is there a penalty for settling early?
No. If you clear the account before it has run it’s full term then there is a reduction in the full amount payable.
Can I pay a deposit to lower my monthly outlay?
Yes. However you would need to contact us to find the correct figures based on your deposit amount.
*includes setup/documentation fee
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