> Gekko k7 ENG LED light kit
Gekko k7 High Power LED light ENG kit c/w k7 lamp, 4 Leaf Barn Doors, CTO & Diffusion Filters, D-Tap Cable, Ball Mount
€769.17 + VAT
$1,030.39 No VAT
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For further details please call us on 01527 854222.
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Gekko k7 - The Powerful, Robust & Shower Proof LED light for ENG use
k7 is the latest on-board camera light from Gekko providing superior output for location shooting.
k7 uses high quality Daylight balanced LEDs creating broad spectrum white light specifically developed for broadcast and film use. In addition, colour temperature remains consistent as the lamp is dimmed.
k7 is rated to IP65 making it shower proof, and drawing less than 20W, k7 is perfectly at home mounted on a cold shoe, Noga arm or deployed on a stand as key light or back light.
k7 has on-board dimming control and comes complete with barn doors, diffusion and Full C.T.O. filter and 400mm Anton Bauer style D-tap connector.
| CCT | 5600K |
| Brightness | 750 lux @ 3m |
| Power consumption | < 20W |
| Input Voltage | 12 – 20 VDC |
| Dimensions | |
| Length | 110mm |
| Height | 94mm |
| Weight | 0.4Kg |
| Accessories | Yoke |
| Removable Barn Doors c/w swing-away CTO & Diffusion Filters | |
| Mini Jack to Anton Bauer Power Cable, 200mm | |
| Mini Jack to Anton Bauer Power Cable, 400mm | |
| Mini Jack to Anton Bauer Power Cable, 1000mm | |
| Colour: | Black or Silver anodized fnish |
Articulating / Tilting Arms & Brackets
What is the CRI (colour rendering index) of the Gekko K7 light?
"In tungsten mode the CRI of the K7 is about 85. Truth is however CRI is a very poor measurement of any discontinuous light source (LED, Fluorescent) for film and TV, designed as it is around subjective data.
The best method of testing the quality of a discontinuous source is by direct comparison with a traditional light source e.g. Tungsten. To achieve this at Gekko we photograph a MacBeth chart with a known good reference source at the desired colour temperature. We then swap out the reference source for our fixture, photograph the chart again and then bisect each square in Photoshop so we can carry out a direct comparison of the response to each colour from our fixture and the reference source.
Our goal in production is to ensure we have equal response from each colour and across the grey scale, which also means they can reliably be used in conjunction with other good quality sources.
Film and Broadcast have over the years adopted CRI as a measurement of colour quality when it is very much less than perfect. In reality it is entirely feasible to have a lamp of any technology which has a high CRI but renders very badly on Film or Digital media. The reverse is also true.
At Gekko we test comparatively all of our fixtures to derive the best possible performance for their chosen use – on camera."
How 'wide' is the light from the gekko k7 light? Is this good for wedding shoots?
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